A thriller based on true events in Norway during the WWII. Tor Lindblom makes a fortune supplying the Nazis with everything from liquor and cigarettes to cement and steel. He also owns the Club Havana, a nightclub in Oslo frequented by the industrial elite of occupied Norway, Officers of the Wehrmacht and opportunistic hustle...

Dramatization of the 1971 case involving a young woman who sued her psychiatrist for luring her into a sexual relationship with him under the guise of therapy.

To prevent an investigation into a fraudulent bidding case, Woorim Engineering & Construction drives accounting manager Park Sun-dal to commit suicide under the condition that 30 million won be given to the bereaved families. Seong-Hoon (Shin Seong-Il), an employee at Woorim Construction who went to Busan to confirm Manager Park's suicide, meets a woman named Ji-Won (Eom Aing-Ran) on his way to Seoul. When Seong-hoon finds out that Ji-won is the mistress of Hong Man-seok (Jang Dong-hwi), the president of Woorim Engineering & Construction, who is also his benefactor, he tries to give up the relationship, but the more he tries, the deeper the relationship between them becomes. Knowing this, President Hong tries to separate the two, but eventually gives up due to their love that transcends death.

John Hughes, played by Shaun Evans (Until I Kill You, Endeavour, Vigil), joined MI5 during the war on terror and was at the forefront of averting the biggest terrorist plots on UK soil. Now in his mid 40s and married with two children he’s struggling to adapt to the new MI5, where threats to national security have changed and he’s forced to adapt to the values of a progressive work environment. 　　On a hunch John meets Ehsan, a British Iranian man with links to the Manchester gangland who claims he has intelligence about a plot on UK soil. Before he can share intel, Ehsan is executed by a lone gunman, and John impulsively kills the assassin in retaliation. This triggers a chain of events which puts John in direct collision with his superiors who are furious that he appears to have got involved in a Manchester gang turf war. John thinks there's more to it than that and starts digging into Ehsan’s past. He knows he’ll have to redeem himself if he’s to save his career and reputation, all the while struggling with his own mental health after having killed a man. 　　John’s efforts to save his career and his marriage are also tested by Mehreen, an intelligence operative who is brought in to take over John’s duties on the Iran desk. Their connection is electric, and John must wrestle with temptations his younger self would readily have surrendered to. Struggling with his own demons, his love for his family and his complicated loyalty to the institution he’s been part of for over 20 years, John sets out to find the truth of the explosive security threat to the UK before it's too late.

Written by Farrukh Dhondy. Blind Mr. Homersham lives alone with no one to care for him, but then he meets young Jamshyd. Being blind Mr. Homesham does not know or care that Jamshyd is Asian, until his son introduces prejudice into the relationship.

《Blind》讲述了因为平凡而成为了委屈的受害者的人们，和对不便的真相闭眼的平凡的加害者们的故事。以刑警、法官、法学院学生和9名陪审员为中心展开的《Blind》既是社会告发剧，也是一部人性电视剧，还是寻找犯人的悬疑惊悚剧。

《Blind》讲述了因为平凡而成为了委屈的受害者的人们，和对不便的真相闭眼的平凡的加害者们的故事。以刑警、法官、法学院学生和9名陪审员为中心展开的《Blind》既是社会告发剧，也是一部人性电视剧，还是寻找犯人的悬疑惊悚剧。

A homicide squad detective, suspected of serial murder, searches for the real culprit.

A blind witness and a runaway help the police find the suspect in a hit and run until the culprit realizes that they are close on his trail. The killer tracks her down and Soo-ah realizes that in order to save Gi-sub she would have to risk her life.

Having recently lost her sight, Ingrid retreats to the safety of her home—a place where she can feel in control, alone with her husband and her thoughts. After a while, Ingrid starts to feel the presence of her husband in the flat when he is supposed to be at work. At the same time, her lonely neighbor who has grown tired of even the most extreme pornography shifts his attention to a woman across the street. Ingrid knows about this but her real problems lie within, not beyond the walls of her apartment, and her deepest fears and repressed fantasies soon take over.